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From things flow

RM Gallery

Kate van der Drift, Teresa Peters, Shelley Simpson, Kathryn Tulloch

7-31st July 2021


From things flow is a collection of works, unravellings, experiences and events that query the concept of agency both within and without our bodies.

Kate van der Drift, Teresa Peters, Shelley Simpson and Kathryn Tulloch are artists working with materiality, processes and temporality. Using an expanded notion of the gallery space which reflects the RM kaupapa of ‘the potentials of an empty room – a space to gather, to think, to talk, to make, to share…’,  the work itself will be created in or evolve within the gallery. In this lively, activated space-come-lab, the artists will bring in elements of transition, evolution and participation both within the material concerns informing their practices, and with people in the space participating in formal and informal happenings.

From things flow, a publication created as a companion to the exhibition of the same name. The publication includes an essay by Charlotte Huddleston in which she reflects and responds to the exhibition and related events, and texts by the artists Kate van der Drift, Teresa Peters, Shelley Simpson and Kathryn Tulloch.

From things flow is an openly relational project that thinks through things. It is an intentionally haptic engagement of thinking via the process of making, and it is made of acts of conceptual and ontological curiosity. Physically and speculatively engaging with material is a way to experiment, explore, and express something. It is also a way to be in communication with lively non-human bodies. Via the artists’ interest in materiality, processes, and temporality From things flow engages all of our senses: touch, taste, smell, hearing, vision. It also has space for what lies beyond our human senses; for sitting with the potential in ontological indeterminacy to make space for conceptual creation. [Charlotte Huddleston, From things flow]

Held at RM in July 2021, From things flow was a collection of works, unravellings, experiences and events that queried the concept of agency both within and without our bodies.

The publication is supported through the RM publication and writing grants.

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Kate van der Drift’s time based and cameraless works are created by submerging film (sheet and super 8) in lightproof holders to the waters and sediment of the Piako River.  A durational accretion created by the action of water and reaction with the sensitive filmic substrate.  Forming and unforming lumen prints will be exposed to light and continue to develop over the course of the show.

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Kahikatea near Mangawhero road,

2021

Unfixed lumen contact print on silver gelatine paper from BW 4x5” negative.

Directional Listening,  2021

Super 8 transferred to video,

5min, silent

Kahikatea remnant in Kopuatai southwest corner

2021

Fixed Lumen contact print on silver gelatine paper from BW 4x5” negative exposed for 7 hours.

First Quarter Moon to New Moon, July 2019, 37°25'47.4"S 175°30'39.2”E,

2021

Fixed Lumen contact print on silver gelatine paper from colour 4x5” negative exposed for 7 hours.